DOT VAETH
Dot Vaeth was named after members' junior high art teacher, Dottie Vaeth. With
the release of their "White Collar Worker" b/w "Armed Robbery" 45, Dot Vaeth set
a new lo-fi standard. Between the record and the mastering, you'd swear someone
pumped some cotton candy into your ears. The band included the Townsend brothers
who between them provided the backbone for several great early D/FW punk bands.
David Townsend dredged up a little background...
Dot Vaeth started out in my bedroom at my mom & dad's house. Me, Doug, and
James jammed with some pretty lame instruments. I had a Fender strat with a warped
neck, Doug had a snare drum and used the snare case as bass drum. James had an
assortment of instruments, a $3 Radio Shack microphone, and various crappy $30 guitars
culled from local pawn shops. We both used a 15-watt amp that squealed to high heaven
if we turned it up past '2'. I started playing drums in the school band, and Doug
was taking guitar lessons. I wasn't much of a drummer, and Doug really sucked on
guitar, so we swapped. James had a self-taught background on keyboards and also
had a great understanding of musical theory. Anyway, we eventually got some real
instruments by working various jobs and begging our parents. James and I both bought
200-watt amps which prompted my parents to announce that we had to get that crap
out of the house & something about not being able to hear the TV. So we rented
a self-storage building. Jim Nabors, another friend from school, starting singing
with us at the practice space. A couple months passed by, and another band began
practicing right next to us. With only sheet metal separating us, practicing was
rather tedious most of the time. The guitarist from this neighboring band, Pat,
eventually migrated into Dot Vaeth and introduced us to Bryce Parker, future ESR
studio magnate. One afternoon, Bryce showed up at Pat's trailer, plopped down a
two-track recorder and a couple of mikes, and said 'We're making a record.'
A couple years back, I got a surprise phone call late one night from a rowdy crew
consisting of three former Dot Vaeth members. The guitarist and the singer had come
down to Austin to visit the bassist, James Flory, whose apartment was less than one
half mile from my house! I had no choice to join in and anyway James owed me a record,
his end of a trade we'd made years before. Jim, the singer, was back on the straight
and narrow (after years of anything but) and was a real blast to hang with. Of course,
he got a huge kick out of the fact that ANYONE remembered his band. Jim also told me
how he'd lifted the chorus of "Armed Robbery" from some hippie chick strumming away
on late night lo those many years ago.
I brought over Dot Vaeth recordings that the members either hadn't
heard in twenty years (or at all) including a 1977 demo tape (dubbed from Barry
Kooda of the Nervebreakers). My favorite bits are Bryce Parker III's super-serious
spoken intro and two great
(and raw) covers: The Boys I Don't Care
and Skrewdriver's You're So Dumb.
Can you tell band members went straight from the record shop's import section
to the practice space to learn the songs? And, strangely enough, I'd listened to
the Dot Vaeth demo for years before discovering the original versions of these songs!
— Ryan Richardson
Dolores Nolley's "DJ's" club played a pivotal venue in the early D/FW scene
A partial scan of the very scarce Dot Vaeth 45's lyric insert
CONTACT: Break My Face